MEXICO CITY — Newly minted Michelin-starred chef Arturo Rivera Martínez stood over an insanely hot grill Wednesday at the first Mexican taco stand ever to get a coveted star from the French dining guide and did exactly the same thing he’s been doing for 20 years: searing meat.

Though Michelin representatives came by Wednesday to present him with one of the company’s heavy, full-sleeved, pristine white chef’s jackets, he didn’t put it on: In this tiny business, which measures 3 meters by 3 meters, the heat is intense.

At Mexico City’s Tacos El Califa de León, in the scruffy-bohemian San Rafael neighborhood, there are only four things on the menu, all tacos, and all of which came from some area around a cow’s rib, loin or fore shank.

“The secret is the simplicity of our taco. It has only a tortilla, red or green sauce, and that’s it. That, and the quality of the meat,” said Rivera Martínez. He’s also probably the only Michelin-starred chef who, when asked what beverage should accompany his food, answers “I like a Coke.”

It’s actually more complicated than that. El Califa de León is the only taco stand among the 16 Mexican restaurants given one star, as well as two eateries that got two stars. Almost all the rest are pretty darn posh eateries.

In fact, other than perhaps one street food stand in Bangkok, El Califa de León is probably the smallest restaurant ever to get a Michelin star: Half of the 9.29 square-meter space is taken up by a solid steel plate grill that’s hotter than the salsa.

The other half is packed with standing customers clutching plastic plates and ladling salsa, and the female assistant who rolls out the rounds of tortilla dough constantly.

In a way, El Califa de León is a tribute to resistance to change. It has been doing the same four things since 1968.

Thousands of times a day, Rivera Martínez grabs a fresh, thinly sliced fillet of beef from a stack and slaps it on the super-hot steel grill; it sizzles.

He tosses a pinch of salt over it, squeezes half a lime on top, and places a soft round of freshly rolled tortilla dough onto the solid metal slab to puff up.

After less than a minute — he won’t say exactly how long because “that’s a secret” — he flips the beef over with a spatula, flips the tortilla, and very quickly scoops the cooked, fresh tortilla onto a plastic plate, places the beef on top and calls out the customer’s name who ordered it.

Any sauces — fiery red or equally atomic green — are added by the customer. There is no place to sit and at some times of day, no place to stand because the sidewalk in front of the business was taken over by street vendors hawking socks and batteries and cell phone accessories years ago.

Not that you really would want to eat inside the tiny taco restaurant. The heat on a spring day is overwhelming.

The heat is one of the few secrets Rivera Martínez would share. The steel grill must be heated to 360 Celsius. Asked how it felt to get a Michelin star, he said in classic Mexico City slang, “está chido … está padre,” or “it’s neat, it’s cool.” 

The prices are quite high by Mexican standards. A single, generous but not huge taco costs nearly $5. But many customers are convinced it’s the best, if not the cheapest, in the city.

“It’s the quality of the meat,” said Alberto Muñoz, who has been coming here for about eight years. “I have never been disappointed. And now I’ll recommend it with even more reason, now that it has a star.”

Muñoz’s son, Alan, who was waiting for a beef taco alongside his father, noted “this is a historic day for Mexican cuisine, and we’re witnesses to it.”

It really is about not changing anything — the freshness of the tortillas, the menu, the layout of the restaurant. Owner Mario Hernández Alonso won’t even reveal where he buys his meat.

Times have changed, though. The most loyal customer base for El Califa de León originally came from politicians of the old ruling PRI party, whose headquarters is about five blocks away. But the party lost the presidency in 2018 and has gone into a steady decline, and now it’s rare to see anyone in a suit here.

And Hernández Alonso noted that his father Juan, who founded the business, never bothered to trademark the Califa name and so a well-funded, sleek taco chain has opened about 15 airy restaurants in upscale neighborhoods under a similar name. Hernández Alonso has been toying with the idea of getting the business on social media, but that’s up to his grandkids.
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VATICAN CITY — The Vatican on Friday overhauled its process for evaluating alleged visions of the Virgin Mary, weeping statues and other seemingly supernatural phenomena that have marked church history, putting the brakes on making definitive declarations unless the event is obviously fabricated.

The Vatican’s doctrine office revised norms first issued in 1978, arguing that they were no longer useful or viable in the internet age. Nowadays, word about apparitions or weeping Madonnas travels quickly and can harm the faithful if hoaxers are trying to make money off people’s beliefs or manipulate them, the Vatican said.

The new norms make clear that such an abuse of people’s faith can be punishable canonically, saying, “The use of purported supernatural experiences or recognized mystical elements as a means of or a pretext for exerting control over people or carrying out abuses is to be considered of particular moral gravity.”

The Catholic Church has had a long and controversial history of the faithful claiming to have had visions of the Virgin Mary, of statues purportedly weeping tears of blood and stigmata erupting on hands and feet evoking the wounds of Christ.

When confirmed as authentic by church authorities, these otherwise inexplicable signs have led to a flourishing of the faith, with new religious vocations and conversions. That has been the case for the purported apparitions of Mary that turned Fatima, Portugal, and Lourdes, France, into enormously popular pilgrimage destinations.

Church figures who claimed to have experienced the stigmata wounds, including Padre Pio and Pope Francis’ namesake, St. Francis of Assisi, have inspired millions of Catholics even if decisions about their authenticity have been elusive.

Francis himself has weighed in on the phenomenon, making clear that he is devoted to the main church-approved Marian apparitions, such as Our Lady of Guadalupe, who believers say appeared to an Indigenous man in Mexico in 1531.

But Francis has expressed skepticism about more recent events, including claims of repeated messages from Mary to “seers” at the shrine of Medjugorje in Bosnia-Herzegovina, even while allowing pilgrimages to take place there.

“I prefer the Madonna as mother, our mother, and not a woman who’s the head of a telegraphic office, who sends a message every day at a certain time,” Francis told reporters in 2017.

The new norms reframe the Catholic Church’s evaluation process by essentially taking off the table whether church authorities will declare a particular vision, stigmata or other seemingly divinely inspired event supernatural.

Instead, the new criteria envisages six main outcomes, with the most favorable being that the church issues a noncommittal doctrinal green light, a so-called “nihil obstat.” Such a declaration means there is nothing about the event that is contrary to the faith, and therefore Catholics can express devotion to it.

The bishop can take more cautious approaches if there are doctrinal red flags about the reported event. The most serious envisages a declaration that the event isn’t supernatural or that there are enough red flags to warrant a public statement “that adherence to this phenomenon is not allowed.”

The aim is to avoid scandal, manipulation and confusion, and the Vatican fully acknowledged the hierarchy’s own guilt in confusing the faithful with the way it evaluated and authenticated alleged visions over the centuries.

The most egregious case was the flip-flopping determinations of authenticity by a succession of bishops over 70 years in Amsterdam about the purported visions of the Madonna at the Our Lady of All Nations shrine.

Another similar case prompted the Vatican in 2007 to excommunicate the members of a Quebec-based group, the Army of Mary, after its founder claimed to have had Marian visions and declared herself the reincarnation of the mother of Christ.

The revised norms acknowledge the real potential for such abuses and warn that hoaxers will be held accountable, including with canonical penalties.

The norms also allow that an event might at some point be declared “supernatural,” and that the pope can intervene in the process. But “as a rule,” the church is no longer in the business of authenticating inexplicable events or making definitive decisions about their supernatural origin.

And at no point are the faithful ever obliged to believe in the particular events, said Argentine Cardinal Víctor Manuel Fernández, the head of the Vatican doctrine office.

“The church gives the faithful the freedom to pay attention” or not, he said at a news conference.

Despite the new criteria, he said the church’s past decision-making on alleged supernatural events — such as at Fatima, Guadalupe or Lourdes — remains valid.

“What was decided in the past has its value,” he said. “What was done remains.”

To date, fewer than 20 apparitions have been approved by the Vatican over its 2,000-year history, according to Michael O’Neill, who runs the online apparition resource The Miracle Hunter.

Neomi De Anda, executive director of the International Marian Research Institute at the University of Dayton, said the new guidelines represent a significant and welcome change to the current practice, while restating important principles.

“The faithful are able to engage with these phenomena as members of the faithful in popular practices of religion, while not feeling the need to believe everything offered to them as supernatural as well as the caution against being deceived and beguiled,” she said in an email.

Whereas in the past the bishop often had the last word unless Vatican help was requested, now the Vatican must sign off on every recommendation proposed by a bishop.

Robert Fastiggi, who teaches Marian theology at the Sacred Heart Major Seminary in Detroit, Michigan and is an expert on apparitions, said at first glance that requirement might seem to take authority away from the local bishop.

“But I think it’s intended to avoid cases in which the Holy See might feel prompted to overrule a decision of the local bishop,” he said.

“What is positive in the new document is the recognition that the Holy Spirit and the Blessed Mother are present and active in human history,” he said. “We must appreciate these supernatural interventions but realize that they must be discerned properly.”

He cited the biblical phrase that best applies: “Test everything, retain what is good.”
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new york — Dabney Coleman, the mustachioed character actor who specialized in smarmy villains such asd the chauvinist boss in “9 to 5” and the nasty TV director in “Tootsie,” has died. He was 92. 

Coleman died Thursday at his home in Santa Monica, his daughter, Quincy Coleman, said in a statement to The Associated Press. She said he “took his last earthly breath peacefully and exquisitely.” 

“The great Dabney Coleman literally created, or defined, really — in a uniquely singular way — an archetype as a character actor. He was so good at what he did it’s hard to imagine movies and television of the last 40 years without him,” Ben Stiller wrote on X. 

Coleman’s delivery drew fans

For two decades Coleman labored in movies and television shows as a talented but largely unnoticed performer. That changed in 1976 when he was cast as the incorrigibly corrupt mayor of the hamlet of Fernwood in “Mary Hartman, Mary Hartman,” a satirical soap opera that was so over the top no network would touch it. 

Producer Norman Lear finally managed to syndicate the show, which starred Louise Lasser in the title role. It quickly became a cult favorite. Coleman’s character, Mayor Merle Jeeter, was especially popular and his masterful, comic deadpan delivery did not go overlooked by film and network executives. 

A six-footer with an ample black mustache, Coleman went on to make his mark in numerous popular films, including as a stressed out computer scientist in “War Games,” Tom Hanks’ father in “You’ve Got Mail,” and a firefighting official in “The Towering Inferno.” 

He won a Golden Globe for “The Slap Maxwell Story” and an Emmy Award for best supporting actor in Peter Levin’s 1987 small screen legal drama “Sworn to Silence.” Some of his recent credits include “Ray Donovan” and a recurring role on “Boardwalk Empire,” for which he won two Screen Actors Guild Awards. 

In the groundbreaking 1980 hit “9 to 5,” he was the “sexist, egotistical, lying, hypocritical bigot” boss who tormented his unappreciated female underlings — Jane Fonda, Lily Tomlin and Dolly Parton — until they turned the tables on him. 

Opposite Dustin Hoffman in “Tootsie,” he was the obnoxious director of a daytime soap opera that Hoffman’s character joins by pretending to be a woman.  

Coleman’s obnoxious characters didn’t translate quite as well on television, where he starred in a handful of network comedies. Although some became cult favorites, only one lasted longer than two seasons, and some critics questioned whether a series starring a lead character with absolutely no redeeming qualities could attract a mass audience. 

Underneath all that bravura was a reserved man. Coleman insisted he was really quite shy.

“I’ve been shy all my life. Maybe it stems from being the last of four children, all of them very handsome, including a brother who was Tyrone Power-handsome. Maybe it’s because my father died when I was 4,” he told The Associated Press in 1984. “I was extremely small, just a little guy who was there, the kid who created no trouble. I was attracted to fantasy, and I created games for myself.” 

As Coleman aged, he began to put his mark on pompous authority figures, notably in 1998’s “My Date with the President’s Daughter,” in which he was not only an egotistical, self-absorbed president of the United States, but also a clueless father to a teenager girl. 

Abandons law school to act

Dabney Coleman — his real name — was born in 1932 in Austin, Texas. After two years at the Virginia Military Academy, two at the University of Texas and two in the Army, he was a 26-year-old law student when he met another Austin native, Zachry Scott, who starred in “Mildred Pierce” and other films. 

“He was the most dynamic person I’ve ever met. He convinced me I should become an actor, and I literally left the next day to study in New York. He didn’t think that was too wise, but I made my decision,” Coleman told the AP in 1984. 

Twice divorced, Coleman is survived by four children and five grandchildren. 

“My father crafted his time here on earth with a curious mind, a generous heart, and a soul on fire with passion, desire and humor that tickled the funny bone of humanity,” Quincy Coleman wrote in his honor. 
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LONDON — Paul McCartney is a billionaire Beatle.

According to figures released Friday, the former member of the Fab Four is the first British musician to be worth 1 billion pounds ($1.27 billion).

The annual Sunday Times Rich List calculated that the wealth of the 81-year-old musician and his wife, Nancy Shevell, had grown by 50 million pounds since last year thanks to McCartney’s 2023 Got Back tour, the rising value of his back catalogue and Beyonce’s cover of the Beatles’ “Blackbird” on her “Cowboy Carter” album.

A “final” Beatles song, “Now and Then,” was also released in November and topped music charts in the United States, the United Kingdom and other countries. Surviving Beatles McCartney and Ringo Starr completed a demo track recorded in 1977 by the late John Lennon, adding in a guitar recording by George Harrison, who died in 2001.

The newspaper estimated 50 million pounds of the couple’s wealth is due to Shevell, daughter of the late U.S. trucking tycoon Mike Shevell.

McCartney ranked 165th overall on the newspaper’s respected and widely perused list of the U.K.’s 350 richest people. The top spot went to Gopi Hinduja and his family, who own the banking, media and entertainment conglomerate Hinduja Group and are worth an estimated 37 billion pounds ($47 billion).

Other entertainment figures on the list include “Harry Potter” author J.K. Rowling, whose fortune is estimated at 945 million pounds ($1.2 billion), and singer Elton John, estimated to be worth 470 million pounds ($597 million).

King Charles III ranked 258th with an estimated wealth of 610 million pounds ($775 million). The king’s fortune includes the large inherited private estates of Sandringham in England and Balmoral in Scotland. The total does not include items held in trust by the monarch for the nation, such as the Crown Jewels.
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Gigantic metal sculptures made by Kosovo-born artist Petrit Halilaj adorn the rooftop of New York’s Metropolitan Museum of Art in an ode to a childhood affected by war. Garentina Kraja has the story. Camera: Vladimir Badikov 
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General public gets to visit White House grounds in spring and fall
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He captured the most famous faces in 1930s and early ’40s cinema — Garbo, Crawford, Bogart and Gable. Now the work of George Hurrell, one of Hollywood’s greatest portrait photographers, is on display at Washington’s National Portrait Gallery. For VOA News, Cristina Caicedo Smit has the story. Videographer: Hakim Shammo; Video editor: Cristina Caicedo Smit
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NEW YORK — A sprightly miniature poodle named Sage was crowned “Best in Show” on Tuesday at the 148th annual Westminster Kennel Club Dog Show, winning the grand prize in the most prestigious competition among pure-bred canines in the United States.

Sage, the finalist representing 21 breeds classified as non-sporting dogs, triumphed over more than 2,500 top-ranked dogs competing in the two-day contest, held at the USTA Billie Jean King National Tennis Center in the Queens borough of New York City.

Sage, a 4-year-old black-colored female groomed in the fine, fluffy topiary style traditional for poodles, competed head to head against the winners in six other groups — terriers, hounds, herding dogs, working dogs, sporting dogs and toy dogs.

She was the first female to win the top prize at Westminster since 2020, according to commentators on the Fox Sports channel, which broadcast the event live.

And she became the fourth miniature poodle to claim the top prize in the 148-year history of the contest, with the trophy previously going to her breed in 1943, 1959 and 2002, according to kennel club records.

The larger “standard” poodle breed has been declared Best in Show five times, most recently in 2020, and the smaller “toy” poodle breed has won twice.

The poodle originated as a hunting dog in Germany and is now recognized as the national dog of France.

Sage’s handler, Kaz Hosaka, cried tears of joy and carried his prized poodle in his arms around floor of the auditorium to cheers of the crowd as he celebrated what he said was his 45th year participating at the Westminster dog show and the last of his career.

The Westminster dog show bills itself as the second-oldest U.S. sporting event, behind only the Kentucky Derby thoroughbred horse race. This year’s competition drew a field of contenders representing 200 breeds from all 50 U.S. states and 12 other countries.

Mercedes, a female 4-year-old German shepherd, was named runner-up for the overall contest, after first winning the top prize in the herding dog group.

Along with Sage and Mercedes, the two other finalists chosen on Monday were Comet the Shih Tzu, representing the toy group, and Louis, the Afghan hound leading the hound group.

Rounding out the finalists were three group winners chosen on Tuesday – Micah the black cocker spaniel, representing sporting dogs; Monty, the giant schnauzer, leading the working dogs; and Frankie, a colored bull terrier from the terrier group.
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ottawa — Nobel Prize-winning Canadian writer Alice Munro, whose exquisitely crafted tales of the loves, ambitions and travails of small-town women in her native land made her a globally acclaimed master of the short story, has died at the age of 92, her publisher said on Tuesday. 

Munro died at her home in Port Hope, Ontario, said Kristin Cochrane, chief executive officer of McClelland & Stewart.  

“Alice’s writing inspired countless writers … and her work leaves an indelible mark on our literary landscape,” she said in a statement. 

The Globe and Mail newspaper, citing family members, said Munro had died on Monday after suffering from dementia for at least a decade. 

Munro published more than a dozen collections of short stories and was honored with the Nobel Prize in Literature in 2013. 

Her stories explored sex, yearning, discontent, aging, moral conflict and other themes in rural settings with which she was intimately familiar, the villages and farms in the Canadian province of Ontario. She was adept at fully developing complex characters within the limited pages of a short story. 

“Alice Munro was a Canadian literary icon. For six decades, her short stories captivated hearts around Canada and the world,” Canadian Heritage Minister Pascale St-Onge said on the X social media network. 

Munro, who wrote about ordinary people with clarity and realism, was often likened to Anton Chekhov, the 19th century Russian known for his brilliant short stories, a comparison the Swedish Academy cited in honoring her with the Nobel Prize. 

Calling her a “master of the contemporary short story,” the Academy also said: “Her texts often feature depictions of everyday but decisive events, epiphanies of a kind, that illuminate the surrounding story and let existential questions appear in a flash of lightning.” 

In an interview with the Canadian Broadcasting Corporation after winning the Nobel, Munro said, “I think my stories have gotten around quite remarkably for short stories, and I would really hope that this would make people see the short story as an important art, not just something that you played around with until you’d got a novel written.” 

Munro’s works included “Dance of the Happy Shades” (1968), “Lives of Girls and Women” (1971), “Who Do You Think You Are?” (1978), “The Moons of Jupiter” (1982), “Hateship, Friendship, Courtship, Loveship, Marriage” (2001), “Runaway” (2004), “The View from Castle Rock” (2006), “Too Much Happiness” (2009) and “Dear Life” (2012). 

The characters in her stories were often girls and women who lead seemingly unexceptional lives but struggle with tribulations ranging from sexual abuse and stifling marriages to repressed love and the ravages of aging. 

“Last month I reread all of Alice Munro’s books. I felt the need to be close to her. Every time I read her is a new experience. Every time changes me. She will live forever,” Canadian author Heather O’Neill said in a post on X. 

Munro’s story of a woman who starts losing her memory and agrees to enter a nursing home titled “The Bear Came Over the Mountain,” from “Hateship, Friendship, Courtship, Loveship, Marriage,” was adapted into the Oscar-nominated 2006 film “Away From Her,” directed by fellow Canadian Sarah Polley. 

‘Shame’ a driving force of characters 

Canadian novelist Margaret Atwood, writing in The Guardian after Munro won the Nobel, summarized her work by saying: “Shame and embarrassment are driving forces for Munro’s characters, just as perfectionism in the writing has been a driving force for her: getting it down, getting it right, but also the impossibility of that. Munro chronicles failure much more often than she chronicles success, because the task of the writer has failure built in.” 

American novelist Jonathan Franzen wrote in 2005, “Reading Munro puts me in that state of quiet reflection in which I think about my own life: about the decisions I’ve made, the things I’ve done and haven’t done, the kind of person I am, the prospect of death.” 

The short story, a style more popular in the 19th and early 20th century, has long taken a back seat to the novel in popular tastes and in attracting awards. But Munro was able to infuse her short stories with a richness of plot and depth of detail usually more characteristic of full-length novels. 

“For years and years, I thought that stories were just practice, ’til I got time to write a novel. Then I found that they were all I could do and so I faced that. I suppose that my trying to get so much into stories has been a compensation,” Munro told the New Yorker magazine in 2012. 

Second Canadian to win Nobel

Munro was the second Canadian-born writer to win the Nobel literature prize but the first with a distinctly Canadian identity. Saul Bellow, who won in 1976, was born in Quebec but raised in the U.S. city of Chicago, Illinois, and was widely seen as an American writer. 

Munro also won the Man Booker International Prize in 2009 and the Giller Prize — Canada’s most high-profile literary award — twice. 

Alice Laidlaw was born to a hard-pressed family of farmers on July 10, 1931, in Wingham, a small town in the region of southwestern Ontario that serves as the setting for many of her stories, and started writing in her teens. 

She married James Munro in 1951 and moved to Victoria, British Columbia, where the two ran a bookstore. They had four daughters, one died just hours old, before divorcing in 1972. Afterward, Munro moved back to Ontario. Her second husband, geographer Gerald Fremlin, died in April 2013. 
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cannes, france — Film director Mohammad Rasoulof, who has secretly fled Iran for an undisclosed location in Europe, urged the world film community on Tuesday to provide “strong support” to his colleagues.

Rasoulof, who was sentenced to jail on national security charges, and whose latest movie will compete at this month’s Cannes film festival, said he fears for the “safety and well-being” of fellow filmmakers still in Iran.

“The global film community must provide strong support to the makers of these films,” Rasoulof said in a statement to Agence France-Presse.

Rasoulof announced on Monday he had escaped clandestinely from Iran, just days after it emerged that he had been sentenced to eight years in prison for “collusion against national security.”

Rasoulof had been under pressure from Iranian authorities to withdraw his latest film, “The Seed of the Sacred Fig,” from Cannes, where it will compete for the prestigious event’s top prize, the Palme d’Or.

Cannes director Thierry Fremaux said the festival was working with the French Foreign Ministry in the hope of ensuring that Rasoulof, 51, can attend his premiere next week.

Rasoulof’s statement said he did not yet know if he could attend the premiere.

“I arrived in Europe a few days ago after a long and complicated journey,” said Rasoulof, who won the Berlin International Film Festival’s Golden Bear in 2020 for “There Is No Evil.”

He said his latest movie set out to portray a version of Iran “that is far from the narrative dominated by censorship in the Islamic Republic and is closer to reality.”

After he and his filmmaking colleagues came under pressure from the authorities, Rasoulof learned that his “unfair” eight-year sentence would be enforced imminently, and he felt he had no choice but to flee.

“I had to choose between prison and leaving Iran,” he wrote. “With a heavy heart, I chose exile.”

While some colleagues involved in the film were also able to leave the country, others remain there.

“My thoughts go to every single one of them, and I fear for their safety and well-being,” he said.
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